Born Standing Up: A Comic's Life
Category: Books,Biographies & Memoirs,Arts & Literature
Born Standing Up: A Comic's Life Details
Review "Absolutely magnificent. One of the best books about comedy and being a comedian ever written." - Jerry Seinfeld, GQ.... Read more About the Author Steve Martin is one of today's most talented performers. He has had huge success as a film actor, with such credits as Cheaper by the Dozen, Father of the Bride, Roxanne, Parenthood, L.A. Story, and many others. He has won Emmys for his television writing and two Grammys for his comedy albums. In addition to his bestselling novel The Pleasure of My Company and a collection of comic pieces, Pure Drivel, he has also written a play, Picasso at the Lapin Agile. He lives in Los Angeles. Read more Excerpt. © Reprinted by permission. All rights reserved. Born Standing Up BeforehandI DID STAND-UP COMEDY for eighteen years. Ten of those years were spent learning, four years were spent refining, and four were spent in wild success. My most persistent memory of stand-up is of my mouth being in the present and my mind being in the future: the mouth speaking the line, the body delivering the gesture, while the mind looks back, observing, analyzing, judging, worrying, and then deciding when and what to say next. Enjoyment while performing was rare—enjoyment would have been an indulgent loss of focus that comedy cannot afford. After the shows, however, I experienced long hours of elation or misery depending on how the show went, because doing comedy alone onstage is the ego’s last stand. My decade is the seventies, with several years extending on either side. Though my general recall of the period is precise, my memory of specific shows is faint. I stood onstage, blinded by lights, looking into blackness, which made every place the same. Darkness is essential: If light is thrown on the audience, they don’t laugh; I might as well have told them to sit still and be quiet. The audience necessarily remained a thing unseen except for a few front rows, where one sourpuss could send me into panic and desperation. The comedian’s slang for a successful show is “I murdered them,” which I’m sure came about because you finally realize that the audience is capable of murdering you. Stand-up is seldom performed in ideal circumstances. Comedy’s enemy is distraction, and rarely do comedians get a pristine performing environment. I worried about the sound system, ambient noise, hecklers, drunks, lighting, sudden clangs, latecomers, and loud talkers, not to mention the nagging concern “Is this funny?” Yet the seedier the circumstances, the funnier one can be. I suppose these worries keep the mind sharp and the senses active. I can remember instantly retiming a punch line to fit around the crash of a dropped glass of wine, or raising my voice to cover a patron’s ill-timed sneeze, seemingly microseconds before the interruption happened. I was seeking comic originality, and fame fell on me as a by-product. The course was more plodding than heroic: I did not strive valiantly against doubters but took incremental steps studded with a few intuitive leaps. I was not naturally talented—I didn’t sing, dance, or act—though working around that minor detail made me inventive. I was not self-destructive, though I almost destroyed myself. In the end, I turned away from stand-up with a tired swivel of my head and never looked back, until now. A few years ago, I began researching and recalling the details of this crucial part of my professional life—which inevitably touches upon my personal life—and was reminded why I did stand-up and why I walked away. In a sense, this book is not an autobiography but a biography, because I am writing about someone I used to know. Yes, these events are true, yet sometimes they seemed to have happened to someone else, and I often felt like a curious onlooker or someone trying to remember a dream. I ignored my stand-up career for twenty-five years, but now, having finished this memoir, I view this time with surprising warmth. One can have, it turns out, an affection for the war years. Read more
Reviews
I can hardly believe it’s been two years since I purchased this book and just now read it! Life takes us on a strange journey sometimes when we think we have found our calling (mine being comedy), yet life had different plans. I had been doing Hospice care as a volunteer for a few years when I took a break, thinking this will be my time to learn comedy again! Well, my sister became deathly ill and needed three brain surgeries so I was back doing bedside service…I’m not complaining at all, in fact, I’m greatly appreciative that I wasn’t working at the time so I could help her. I’m now taking a Master Class on Comedy, by Steve Martin, which reminded me of this book. So I read it!What does this have to do with Steve Martin’s book? Comedy is born out of life’s tragedies and trauma’s; they force us to become stronger and more resilient, and over time - look at things - in a sometimes disturbing humorous light.Steve’s book was enlightening and uplifting, from learning about his triumphs and struggles- in all that he endured to become the comic, and man he is today. I admire him greatly! The biggest obstacle and accomplishment when reading this, and I’d think he’d agree, was after obtaining a certain amount of respect, fame, and fortune, and having written “Lapin Agile” a play set in 1905 about the hypothetical meeting of Picasso and Einstein – Steve returned home. He earned the respect of love of his father, and basked in the love of his mother and sister; taking delight in their stories of forgotten anecdotes. There isn’t any greater gift in life than that!If you desire to be a comic/entertainer I highly recommend reading this book. It will not only inspire you, but offer you an introspective look at what and why you wish to be a comic. Comedy is a journey - such is life, and what better way to view it than in this humorous biography, “Born Standing Up.”
